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“What else did they do ’sides dancing, Betty?” questioned St. Elmo.,

This interlude gave Mrs. Wopp an opportunity to recover her equilibrium which had been disturbed by her vivid conception and realistic description of the storm, all of which had necessitated startling gestures and a swaying, rocking movement of the body, illustrative of a ship in distress.,

Baffled, yet knowing he had expected it, he ran this way and that, peering round each corner, scanning the bare, high walls to see if by chance some window had been left unbarred. Not one less than a dozen feet from the ground! He ran back to the door, was almost tempted to shake it, yet knew that would be a foolish trick; some one might be within guarding May Nell; might at the first noise still more securely hide her,—they said there were fearfully deep and dark cellars under that house! She might come to—to some dreadful harm!,

It quickly occurred to him to run around and climb up there by the coop. Perhaps he could see into the windows—perhaps see— He didn’t wait to finish his thought, but scrambled frantically up the steep and came around to the top of the wall. The window opposite and level with him was bare but not as dirty as the others; and against it he saw a bed-post. Anyway that room was used by some one besides ghosts, he thought; and wondered what to do next. Just then Bouncer sprang up and gave a single short bark, his bark of greeting.

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The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.,

Me when I catch you sleepy head,,

Moses and Betty were left to mind house, the admonishings of Mrs. Wopp being seasoned with picturesque if carelessly applied texts. The envious might hurl hisses, but Moses and Betty were invulnerable to all such assaults upon their anticipations of the day’s freedom with its already planned joys.,

Whose hearts never—”